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Issue 11

Articles

The Pleasures of Watching an "Off-beat" Film: the Case of Being John Malkovich
Martin Barker

Epicurean Disdain and the Rhetoric of Defiance: Colonel March of Scotland Yard
Dave Mann

The Uncanny Ecology of Mulholland Drive
Andrew Hageman

Conceiving Grizzly Man through the "Powers of the False"
Eric Dewberry

[ALL ARTICLES ON ONE PAGE]

Book Reviews

The Big Show: British Cinema Culture in the Great War 1914-1916 By Michael Hammond
Reviewer: Brenda McDermott

John Mills: Masculinity and British Cinema By Gill Plain & Hollywood Heroines: Women in Film Noir and the Female Gothic Film By Helen Hanson
Reviewer: Elaine Lennon

Rethinking Disney: Private Control, Public Dimensions By Mike Budd and Max H. Kirsch (eds.)
Reviewer: Anthony Friedmann

New Documentary: A Critical Introduction, 2nd Edition By Stella Bruzzi
Reviewer: Gerald R. Butters, Jr.

Hong Kong Film, Hollywood and the New Global Cinema: No Film is an Island By Gina Marchetti and Tan See Kam (eds.)
Reviewer: Konrad Ng

Britain Colonized: Hollywood's Appropriation of British Literature By Jennifer M. Jeffers
Reviewer: Kevin M. Flanagan

From Box Office to Ballot Box: The American Political Film By M. Keith Booker
Reviewer: Nicholas Witham

Mexican National Cinema (National Cinemas) By Andrea Noble
Reviewer: Heather Macdougall

Alanis Obomsawin: The Vision of a Native Filmmaker By Randolph Lewis
Reviewer: Rachel Walls

Alphaville (French Film Guides series) By Chris Darke
Reviewer: Helen Donlon

European Cinema: Face to Face with Hollywood (Film Culture in Transition) By Thomas Elsaesser
Reviewer: Nick Hodgin

Soft in the Middle: The Contemporary Softcore Feature in Its Contexts By David Andrews
Reviewer: Jane Fader

The Films of Kenneth Branagh By Samuel Crowl<
Reviewer: Connie Luther

Shakespeare on Film (Inside Film Series) By Judith Buchanan
Reviewer: Alissa Burger

The Films of Woody Allen: Critical Essays By Charles L. P. Silet (ed.)
Reviewer: Jarrett Neal

The Television Handbook, Third Edition By Jonathan Bignell and Jeremy Orlebar & Programming Our Lives: Television and American Identity By Walter Cummins and George Gordon
Reviewer: Erin Giannini

F is for Phony: Fake Documentary and Truth's Undoing By Alexandra Juhasz and Jesse Larner (eds.)
Reviewer: Brett Mills

Gospel of the Living Dead:  George Romero's Vision of Hell on Earth By Kim Paffenroth
Reviewer: Edmund P. Cueva

The Cinema of the Balkans (24 Frames Series) By Dina Iordanova (ed.)
Reviewer: Ljiljana Šarić

Masculine Jealousy and Contemporary Cinema By Candida Yates & Director in Action: Johnnie To and the Hong Kong Action Film By Stephen Teo
Reviewer: Michael Brian Faucette

[ALL BOOK REVIEWS ON ONE PAGE]

Film Reviews

Shoot the Messenger
Reviewer: Stephen Harper

Shake Hands with the Devil: The Journey of Roméo Dallaire
Reviewer: Debbie James Smith

Black Narcissus
Reviewer: Peter Coyne

Iran: A Cinematographic Revolution
Reviewer: Sarah Boslaugh

The Assassination of Jesse James by the Coward Robert Ford
Reviewer: Jo Eadie

[ALL FILM REVIEWS ON ONE PAGE]

Conference Reports

SCMS, Philadelphia, March 6-9, 2008
Reporter: Drew Beard, Stephen Rust, Carter Soles, Jeong Chang, and Raphael Raphael

African Film Conference, University of Illinois at Urbana-Champaign, IL, USA, November 9-10, 2007
Reporter: Audrey Evrard

Fusion Cultures: Memory, Migration, [Re]mediation, Mobility, A one-day multi-disciplinary conference, University of Greenwich, December 9, 2006
Reporter: Colette Balmain

Italian Film Study Day, Queen Mary, University of London, January 25, 2008
Reporter: Louis Bayman

Literature/Film Association Conference, Kansas Union, the University of Kansas, Lawrence, KS, October 11-14, 2007
Reporter: Frederick A. Holliday II

[ALL CONFERENCE REPORTS ON ONE PAGE]

 

 

 

Institute of Film & Television Studies, University of Nottingham, University Park, Nottingham, NG7 2RD, UK
E-Mail: scope@nottingham.ac.uk | Tel: +44 (0)115 951 4261 | Fax: +44 (0)115 951 4270

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